#since that D vs detective dynamic is part of what makes the first manga so compelling. I think

[grassbreads]

I'm two volumes (three chapters) into Pet Shop of Horrors: Passage-hen, and honestly, I'm not incredibly into it so far. I was hoping that focusing on one of the earlier Counts D would mean a return to horror, but it really hasn't been so far. D does kill some people in the second volume, but there's no particular attempt to make his doing so frightening/unsettling/atmospheric imo. He only kills a handful of rich people that we're specifically made not to sympathize with, whereas the killers are made extremely sympathetic (and honestly pretty nice). And besides those killings, D has been shockingly chill toward the people he meets so far. Bit of a letdown coming from spooky grandpa, tbh.

However, there is one thing about Passage-hen that's sucking me in so far, and that's the setting. It's set in Paris at the turn of the 19th/20th century. It's set, as of the second chapter, right when the 1889 Paris world's fair is about to start. That is exactly the same time and place that VnC is set.

Needless to say, I'm already thinking about the potential for a VnC/PSoH crossover fic. The alignment is just too goddamn good to pass up. The worldbuilding for each series absolutely does not play nice in combination, but does that matter for a spooky oneshot?

If Passage-hen won't give me the atmospheric horror I want from this series, then I can put the goddamn horror back in myself by force and inflict it on one of my funny little french vampires. Noé does love wandering the shops of Paris and buying miscellaneous crap, after all >:].

[skyhopedango]

State of the Season (OMG IT’S ALREADY MARCH???!)

So... yeah. Time really does fly, huh. :O I’ve been so swept away by work and politics/activism and trying to rock an undercut that is the surprisingly fortunate result of trying to cut my own hair, that all these months just kind of passed me by. Holy shit, it’s almost summer. And covid is still here.

Anyway, so the shows I’ve been watching, or not watching as the case might be.

Dropped: 

SK8: I ranted about it a while back - I tried watching a couple more episodes, but nah, sorry. The show is trying to do one thing and another completely different thing, and it just fails to do either well, missing the balance by a shot so long it fades into infinity. It doesn’t lean fully into just being crazy and OTT fun, but it leans into it enough that there’s a tonal dissonance between the crazy OTT parts and the “real” and “drama” parts, which result in neither parts working for me. The “adults trying to write cool kids” factor and the really dated visual design doesn’t do it any favors either. It’s 2021 guys! If you want to be “hip and cool” come up with something that doesn’t smell like moth balls.

As for the rest: 

Osomatsu-san S3: This is... kind of a pity. I talked about this before, but it really feels like the writing has lost its touch, and its sight of who/what the characters are. Also, the extended cast just doesn’t work. Totoko and Nyaa are just not interesting enough to carry so much of the show, and the AIs are perplexing and not in a good way. They feel completely pointless, characterless and boring. 

It’s not like the show is bad though. The voice work continues to be absolutely amazing (why is this cast so good), it’s still mildly entertaining, and there are flashes of brilliance every now and then - the pizza skit is one of the Osomatsu-san greats, as is the entirety of episode 22, with the detective show spoof and the crazy hide-and-seek skit. Even the AIs had an unexpectedly fun and relatable moment, the skit with the shitty senpai you kinda pity but also don’t really want to associate with. Overall though, this season is a miss, which is a pity.

Jujutsu Kaisen: This has been precariously teetering on the edge of being dropped, but eh, I might as well finish this season. Like, the show is mostly harmless, really, mostly inoffensive, but also 90% of why I’m still watching it is so I can listen to Nakamura Yuuichi, Shimazaki Nobunaga, and a couple more seiyuu. It’s bogstandard WSJ action stuff. But also, it’s at the “let’s have a tournament arc, and introduce tons of new characters and their super special powers and angsty backstories!” part where these stories always lose me. Like, I don’t really care about all the power wankery, yes, the character is super strong, but if that’s all then I don’t care about the details, let’s move on. Also, I just want to spend time with the main cast, y’know? I don’t need two thousand characters, and OK, we can have a huge cast but flesh out your main people first? 

Aside of the cast, the animation continues to be its saving grace, but even there some things grate on me - things I wouldn’t care about normally, but since the show is clearly an animator wank fest, these things stand out. Like how the composition is often kinda dodgy, with the characters not integrating fully with the background? Or how there’s the "telling not showing” thing where they have characters telling us things that could be so easily conveyed by animation. Yes, that’s necessary in manga where the images are not moving, but here, especially with all the animation wankery, it just feels like the director just wanted to show off, and didn’t put a lot of effort into actually creating a good and complete translation of static to dynamic, manga to anime.

Back Arrow: This one is... well, it’s entertaining. It’s a bit of a letdown in that it doesn’t really go as hard as it could and should. Like, the jokes are good in theory, but in practice more ofthen than not the punchlines don’t quite land. Still, I’m being entertained so I’ll keep watching. (Mostly, I just like what a terrible, stupid bunch the characters are. :D) Will I remember this show a week after the finale, though? Not likely, but hey, I don’t need all shows I watch to be unforgettable masterpieces.

Beastars: This is, well, good. It’s really good, actually, it’s a great show! It’s just that I kind of lost my enthusiasm for Beastars so I just can’t get hyped. And without the hype, my brain just starts thinking too deeply about things I’m not supposed to think about, like... yes, I understand the allegories and whatnot, but also isn’t it just awfully convenient that like all of herbivores we see on the regular are the “small, soft, prey” type? Where are all the tough, often aggressive herbivores that predators think twice (three times, four times) about messing with? Where are the African buffalos, the bisons, the elephants, the rhinos? I’m just saying, it’s really convenient for the story that those are out of the picture. Also, what with all the focus on size and strength, it’s kind of dodgy how the show just handwaves away the fact that there are small carnivores and large herbivores, and the latter could kick the formers’ ass any day, like come on, a horse vs a cat? Yeah. ¯\_(ツ)_/¯ 

But anyway, yeah, show is good. I’m enjoying it a lot. I hope they won’t adapt the rest of the manga.

Tenchi Souzou Design-bu: This is just tons of fun. :D It takes an issue that I very often think about (namely, “why is this creature like that? what the hell, Mother Nature?”) and puts it in a context that makes complete sense (”oh I see, it was created by overworked designers based on vague and arbitrary instructions, gotcha, I can relate to that” :D). And even though it’s just basically the same settings and jokes over and over it doesn’t get old. :D

Kemono Jihen: This one is fine? It’s not mindblowingly amazing, but not bland or mediocre either. It’s just a solid, good show, although I really hope that Aya is not a permanent addition to the cast because I really hate the “jealous girls fighting over a guy” trope. That aside, I actually started reading the manga for this, but... well, this is one of those cases where the anime format just works better for me. I hope it will get a second season.

But most of all I really really look forward to the spring season, partly because there’s quite a lot of shows I’m interested in, and also it’s one step closer to the summer season and Night Head 2041. :D